Saving Nary
by Carol DeMent
Giveaway Below! |
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Guest Post-Genocide of the Cambodian People
Multicultural fiction
provides a gateway for exploring, risk-free, another way of living and
thinking. In this day and age of racial
disharmony and misunderstanding, that opportunity is more important than ever. In writing Saving Nary, a novel about the genocide of the Cambodian people and
their subsequent resettlement in Western countries, I chose fiction as the
vehicle to tell the story in the hopes that such a format would be more
accessible to the general public and reach more readers.
The tale of Cambodia’s
woe is a largely forgotten story. Even among my own contemporaries, people like
me who’d witnessed the carnage on the TV news, the fall of Cambodia to the
Khmer Rouge was a blip on the radar, consumed by the larger conflict of the
Vietnam War.
And so it has been very
heartening to me to hear from readers that Saving
Nary has awakened their interest
in and compassion for not just the plight of the Cambodians, but for refugees
in general. Readers have said the book
spurred them to action-some did research on the Khmer Rouge to find out more
about what really happened in Cambodia.
Some looked with fresh eyes upon their immigrant coworkers and
colleagues and inquired about their customs, their countries, their impressions
of America. Some visited mosques or
temples for the first time. In all of these instances, readers said their lives
had been enriched by reaching out to a new culture.
The best multicultural
fiction not only teaches us about a new culture, but makes us question our own,
for no culture yet exists that has gotten it all “right.” Some may excel in scholarly pursuits but lag
in civil rights protections. Others may
soar to spiritual heights but lack basic education. Cultures that pride themselves on
manufacturing and technology may downplay the importance of protecting the
environment. What drives these
differences in cultural development is usually due in part to both core values
and economic or existential reality. And
without new perspectives and insights, cultural attributes may become rigid,
unyielding and entrenched.
Enter the multicultural
novel. As readers become engaged with
the characters, they begin to root for them, and to see a new culture through
sympathetic eyes. They may learn ways of
thinking or behaving that surprise or inspire.
We may particularly admire the way a character’s culture promotes
graciousness or bravery, and hope to cultivate those qualities in
ourselves. By opening our eyes to new belief
systems and different modes of problem solving, multicultural fiction can spur
discussion and enrich the way in which we perceive and relate to the world
around us.
Now, more than ever, such
openness is needed as we bumble our way through issues and challenges that are
increasingly global in nature. By combining
the best of a myriad of cultures, we may someday get it right. Indeed, our very survival may depend on it.
GENRE: Fictional
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BLURB:
A
Finalist in the 2017 Next Generation Indie Book Awards, Saving Nary explores
the losses, loyalties and secrets held within families broken by war and
genocide. This compelling novel presents a palette of unique characters who
struggle to make sense of the events that led them to America, even as they
ponder the bewildering culture and lifestyle of their new homeland.
Refugee Khath Sophal
lost everything when the Khmer Rouge swept into power in Cambodia: his
livelihood gone, his family dead or missing; his sanity barely intact from the
brutality he has been forced to witness.
Now resettled in the
Pacific Northwest, Khath treads a narrow path between the horrors of his past
and the uncertainties of the present. His nights are filled with twisted dreams
of torture and death. By day he must guard constantly against the flashbacks
triggered by the simple acts of daily living, made strange in a culture he does
not understand.
Then Khath meets Nary,
a mysterious and troubled Cambodian girl whose presence is both an aching
reminder of the daughters he has lost, and living proof that his girls, too,
could still be alive. Nary’s mother Phally, however, is another matter. A terrible
suspicion grows in Khath’s mind that Phally is not who or what she claims to
be. A split develops in the community between those who believe Phally and
those who believe Khath. And those, it seems, who don’t really care who is
right but just want to stir up trouble for their own personal gain.
Khath’s search for the
truth leads him to the brink of the brutality he so despises in the Khmer
Rouge. His struggle to wrest a confession from Phally ultimately forces him to
face his own past and unravel the mystery of his missing daughters.
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Excerpt:
“Go back to Cambodia?” Pra Chhay stared at Khath with puzzled
eyes.
Khath nodded. “What choice do we have, brother?” he said.
“Our people are being forced back across the border into the arms of the Khmer
Rouge. My daughters will have no chance now to get into Khao I Dang. We must go
back to continue our search for them.”
Pra Chhay, dressed in saffron monk’s robes and cracked
rubber sandals, stood framed by the setting sun outside the open doorway of the
bamboo and thatch shelter he shared with Khath and five other families. The odor
of too many human bodies crowded into a small living space hung heavy in the
air spilling across the threshold.
The rectangular shelter was partitioned by side walls into
six open-faced cubicles, three to a side, facing a center corridor running the
length of the shelter. There was no privacy other than what could be attained
by turning one’s back to the open side of one’s cubicle or crawling inside a
mosquito net hung over the thin kapok sleeping mattresses on the floor. The
shelter’s only doors were located at each end of the central corridor, opening
directly to the outside.
With no way to secure themselves or their meagre belongings,
the refugees lived in helpless fear of night visits by bored Thai soldiers,
whose transgressions ranged from theft to rape. Pra Chhay and Khath occupied an
end cubicle by the door, making them even more vulnerable to unwanted attention
from the soldiers, but because of Pra Chhay’s position as a monk, they were
usually left alone.
As Pra Chhay slipped his calloused feet out of his sandals,
stepping barefoot into the corridor, a gentle breeze puffed out the hem of his
robes and blew camp dust into the shelter.
Khath motioned to Pra Chhay to shut the door. Careful not to
waste a drop of the day’s ration of precious water, he barely moistened the
corner of a rag and ran it over random surfaces in their cubicle that might
attract and harbor dust: the wooden altar in the corner, the cracks and edges
of the bamboo slats that formed the walls of the hut, the straw mats that
covered the floor. A squat wooden bench, left behind by the prior resident,
completed the amenities of the living space.
Pra Chhay took off his outer layer of robes and hung them on
a sliver of bamboo pulled out from the wall to serve as a peg for clothing.
Turning, he watched Khath rub his cloth over the wooden bench, back and forth, back
and forth, harder and harder, the knuckles gripping the cloth turning white
with effort.
“Khath, stop it. You will polish our only seat away to
nothing,” Pra Chhay said. “Tell me exactly what you heard today that makes you
say we must return to Cambodia.” The monk settled himself comfortably on the
floor.
With an effort, Khath slowed his rubbing and carefully
folded the rag and laid it on his lap. His eyes followed the tiny particles now
dancing in the single ray of golden sun that slipped through the crack between
the outer door and its frame. He laced his fingers tightly together to stop
their reaching for the rag as, mesmerized, he watched the motes settle onto the
areas he had just cleaned. The sight of dust on surfaces where it ought not to
be was still intolerable to Khath, though nearly six years had passed since his
obsession was born on the day the Khmer Rouge killed his wife and son.
“Silence that boy,” the soldier had said to his wife on that
awful day. Khieu gathered their son Bunchan into her arms, but how is one to
soothe a toddler who cries from hunger when there is no food? Khath, Khieu and
their three children had been walking for three days in the heat and humidity,
shoulder to shoulder with thousands of other refugees inching their way out of
Phnom Penh by order of the Khmer Rouge. Already hunger, thirst and exhaustion
had thinned their ranks: the elderly and the ill simply dropped along the sides
of the road, patiently awaiting the mercy of death.
Given only minutes to prepare for their exodus, the food
Khath and his family carried was gone in a day. After that, they bought,
scavenged and bartered for whatever nourishment they could find along the way.
Now, they stood next in line before a table of grim-faced cadres in the simple
uniform of the Khmer Rouge: black cotton shirts and pants with kramas,
red-checkered scarves, wound around their heads or necks. The cadres were
checking identity papers and quizzing the refugees about their prior
occupations.
Bunchan’s incessant crying enraged the soldier. “Silence him
or I will,” he warned Khieu.
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AUTHOR Bio and Links:
Carol DeMent
worked in the field of South East Asian refugee resettlement for seven years,
and completed master's level research into international refugee resettlement
policy. She lived for two years in Thailand as a Peace Corps volunteer and has
traveled extensively in South East Asia. Her first novel, Saving Nary, was
a Finalist in the 2017 Next Generation
Indie Book Awards.
https://www.amazon.com/Saving-Nary-Carol-DeMent/dp/1522982906
https://www.amazon.com/Carol-DeMent/e/B01CRJ1EVA
https://www.goodreads.com/author/show/15089080.Carol_DeMent
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GIVEAWAY INFORMATION and RAFFLECOPTER
CODE
Carol
DeMent will be awarding $10 Amazon/BN GC to a randomly drawn winner via
rafflecopter during the tour.
5 comments:
Thanks for hosting!
congrats on the tour and thanks for the chance to win :)
What book would you like to see turned into a movie? Thanks for the giveaway. I hope that I win. Bernie W BWallace1980(at)hotmail(d0t)com
A different kind of read for me.
Do you read yourself and if so what is your favorite genre?
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